The jimi hendrix experience electric ladyland album art

But it's the painting soundscapes, the creation of moods combined with sound effects to visualize the story, that marked a whole new way of making music. Musically, you could still call it psychedelic. Jimi touches legends combined with theories in a science fiction story. Lyrically, in the vein of the Sixties, but less sweet. The sea, water, being the source, the beginning and the end of life. With a reference to the myth of Atlantis, Jimi wrote this piece in which he and his girlfriend spend their last day on dry land, and turn to the sea, to live there, living and breathing under water helped by a machine. Not happy with how the world was turning (most importantly, the war in Vietnam at that time), better lives had to be sought. I could write a long review on all the songs, but the weirdest and most interesting thing about this album, is a 15-minute suite divided into two parts, called 1983 (A Merman I Should Turn To Be), and Moon Turn The Tides. But that's exactly where this musical genre started anyway. A very special guitarist, and music was not progressive yet in the sense of symphonic as we know it right now or would get to know it a few years after this album, but progressive it certainly was! Psychedelic might be more appropriate. Of course, Chandler gave Jimi the chance to do his thing, but besides the title tracks to the first two albums, things were getting more interesting for our beloved genre from here on. And this is where things get even more interesting. At one point, probably when Jimi was about to record the umpteenth take of a solo, Chas couldn't take it anymore, and left Jimi to produce the rest of the album on his own. He was the one more interested in shorter songs, while Jimi wanted to experiment. Half of this album was produced by Chas Chandler, who brought Jimi to England to record his own music. (Winwood, in turn, would have loved the idea himself, but was afraid to ask as well.) Now that would have been an interesting combination!

The band, especially drummer Mitch Mitchell and Jimi, would have liked organ player Steve Winwood to join the band, but were afraid to ask. Some very fine jams were recorded and songs created this way, most notably the 15-minute blues Voodoo Chile (please note that's not the well-known, heavy Voodoo Child (Slight Return)).

The group, being the Experience: Jimi, Mitch Mitchell and Noel Redding, was supplemented by a changing number of musicians every day. He was using the studio as an additional musician to the group. In 1968, Jimi Hendrix was getting into experimenting more and more.

The jimi hendrix experience electric ladyland album art